The World Is Not Enough

Now here's somewhere a man could kick back and chew over his place in the world and more than likely come to the conclusion that his place in the world was not worth chewing over. 

If he was smart, he would figure out those mountains had been around long before he was even a starseed and will be there for many moons after too. Even those rocks sitting beneath the surface of the water have a longer lifespan than he does and in all likelihood, probably provide a far more useful purpose in the world than he does too. 

But that's not a good reason to not even try.


Still jet-lagged to hell and back here. More time in the air than on the ground in a short four day period is not good for your equilibrium. I wrote a little - not as much as I would like, but enough. I did The Bad Thing and watched an airplane movie which knocked on to another and then another. Worth talking about are 500 Days Of Summer and Our Kind Of Traitor - both are good investments of your (wasted) time. 

I'm not going to tell anything about my trip here. It will make a good extra chapter for the Cities of the Dead collection - it was also the first time I have ever got in an uber car. It's very much the same as being in a regular cab in that you sit in the back while somebody drives you, but the reality is, it's more like being driven somewhere by a friend of a friend in a nice car that somebody gives a damn about. I can see why it works and how it is absolutely the death of the taxi as we know it. Then again, all it takes is one singular uber-murder scandal and the whole world will come crashing down around its ankles. 

I wonder if cab drivers moonlight as uber-drivers during their time off.


I picked up a couple of magazines at the airport too. One of them was the latest edition of Wired. Somewhere in there is an article about a company that hosts residential courses for kids who want to be You-Tubers when they grow up. It really is a thing. It says that five years ago, kids mostly wanted to be app developers but now they want to be You-Tubers making money for simply being themselves. 

Meanwhile, I mailed my friend Wayne Simmons a pic of his book on a Waterstones shelf yesterday - a pic from the period in which he wrote (and made his name with) horror. On one side of his book was Pride, Prejudice and Zombies and on the other side, a classic edition of Frankenstein. In that 'horror' section, there was a whole collection of Stephen King books but hardly anything else to speak of. No Ramsey Campbell, no Clive Barker and no James Herbert. 

Maybe horror fiction is resting. Maybe it's waiting for somebody to come out and lay waste to the world. Maybe Stephen King must die for people to pay attention again... but it didn't make any difference when James Herbert did, so that's a very poor answer to the problem.

Or maybe, horror authors need to become You-Tubers to regain their mojo, though I can't think of anything more boring to watch than a video of somebody staring out of the window before occasionally tapping some keys.

If you took a poll in an average school, I wonder how many kids would say they wanted to be a writer these days and how many of them would say they wanted to be a horror author - and just who would they want to be like? Who are their role models? I wonder exactly how many schools you would have to visit before you found a kid who wanted to be a horror author and said as much without being prompted from a list of previously arranged choices. 

Note to self: never buy Wired again. Wired is Cosmopolitan for the Samsung generation. It suggests the new world is built on algorithms and there is nothing we can do about it. It hosts adverts for apps that will close your blinds for you when you're not at home. It promotes great design discussed over many pages for items such as football boots and lamps.

It tells me the world is more connected than ever but does not even begin to explain why everybody feels so fucking alone.

Welcome to the true face of horror in 2016 in which horror writers now freelance for tech mags.

HOW DID IT GET TO BE FRIDAY ALREADY?

My lovely small person went to see Ariana Grande on Monday night - it's OK, I had never heard of her either. It was a little odd hearing about her going to a show and then transposing my own experience of being 14 on top of it though.

At a rough estimate, I worked out that the whole trip - including tickets, travel and essential tour tshirt - probably came in at something like £120 and that's probably being generous. I was going  to tell her about my first show alone (which was UFO back in '82/'83) and then thought better of it but in my silence, figured out the sum total of that trip (ticket, travel, essential tour shirt and oddly a copy of the MAD magazine summer special found at a newsstand outside the venue) came in at less than £15. Is that comparable? The ticket was something like £4 (if I ask my friend John, he probably still has his stub and could tell me for sure) which really enabled a kid of 14 to go out and see a lot of bands. 

Seeing a band sure is steep these days.

On the plus side, she had a great time and some dude from One Direction showed up in the area she was in "without a body guard!" 

Is that on a par with Dee Snider being found playing the slot machines in a local bingo hall after their first UK show? I guess somehow in a skewed universe of strange reality, it just might be. (Quickly references interested parties on such matters to own book titled Black Dye White Noise which contains such stories).

(On which note - if you're a fan of Dee Snider, his new podcast, Snider Comments, is everything you'd expect it to be - in the latest episode he has Wayne Kramer of MC5 in the studio. People forget just how cool MC5 were. Check this out this 45 year old clip from 1969. They don't make 'em like they used to and they really fucking should:

•••

In the interview I linked to yesterday over at Infected, I mention a Bukowski book cover I put together. A couple of people have asked if the could see it, so here it is. It's not a commercial venture or anything of the kind... just a guy messing about with something he loves. Anyway... 

•••

I got all fired up when I heard Clive Barker was finally unleashing The Scarlet Gospels but now it's been out two or three weeks, I'm not so sure I should have been. The reviews from long time fans are not good. Not good at all. I shouldn't have looked but the cat's out of the bag now and I can't get back in. Maybe I'll just leave it unread on the shelf for a little while and see how I feel some day in the future. Still, Clive is Clive and if you're of the same mindset, there's a neat interview with him up at Wired in which he talks about some important stuff - particularly his comments on Anne Rice and the way some her 'fans' treated her recently.

••• 

Finally, Matt Haig followed me on Twitter yesterday. Not sure what I did to deserve that but it's kinda cool for a great writer to click a button your name is attached to. His book The Humans is a fine, fine read. He has a new book out called Reasons To Stay Alive that I haven't got around to yet but regardless of that... Matt: I'll buy you a really big latte if you can be bothered driving to Ramsgate next Wednesday and I'll shoplift your book into the bargain.

•••

Oh - really finally - if you're at a loss for something to watch on TV now silly season is over, Duchovny's Aquarius is out there. Just saying. 

BEAR NECESSITIES

Today, I'm going to share out some wisdom that isn't mine. Its the sort of thing I might say, would like to say, have kind of said now and then, but have never actually said so eloquently in this order.

What we have here is 24 tips for film-makers taken from the back of Paul Cronin's book Werner Herzog: A Guide for the Perplexed. If this is what they chose to throw on the back cover, count me for whatever's inside and consider a copy on its way.

Whilst they may originally be intended for film-makers, if you're trying to achieve anything that's out of the ordinary or that you want to do on your own terms (or both), they are as true for you as anybody:

  1. Always take the initiative.
  2. There is nothing wrong with spending a night in jail if it means getting the shot you need.
  3. Send out all your dogs and one might return with prey.
  4. Never wallow in your troubles; despair must be kept private and brief.
  5. Learn to live with your mistakes.
  6. Expand your knowledge and understanding of music and literature, old and modern.
  7. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it.
  8. There is never an excuse not to finish a film.
  9. Carry bolt cutters everywhere.
  10. Thwart institutional cowardice.
  11. Ask for forgiveness, not permission.
  12. Take your fate into your own hands.
  13. Learn to read the inner essence of a landscape.
  14. Ignite the fire within and explore unknown territory.
  15. Walk straight ahead, never detour.
  16. Maneuver and mislead, but always deliver.
  17. Don’t be fearful of rejection.
  18. Develop your own voice.
  19. Day one is the point of no return.
  20. A badge of honor is to fail a film theory class.
  21. Chance is the lifeblood of cinema.
  22. Guerrilla tactics are best.
  23. Take revenge if need be.
  24. Get used to the bear behind you.

Some things make your heart sing like a phoenix. 

It also has bears in it, which makes it doubly worth a damn, obviously.

•••

Sometime in recent history, I dropped something on here about Clive Barker's Scarlet Gospels - if such news rattled your cage and started a fire in your eyes, here's a link to the Earthling Deluxe Edition. It's not cheap but don't shoot the messenger. 

•••

INTERLUDE

Even though you never asked, I'll tell you this anyway - this sounds great on vinyl:

END OF INTERLUDE

•••

Talking of bears, which we kind of were, my lovely friend Michelle - better known as WolfSkullJack to the world and whose art you should be spending your money on - sent me a note yesterday and we talked (briefly... in 140 characters or less) about maybe doing something together to give the Romanian Bears a little something extra.

Thinking, thinking, thinking. This could be seriously supercool and very fun.

In case you missed it... she is wonderful and this is mine:

I believe it's based loosely on me... and if it's not, I don't care because that's what I tell everybody anyway. It's a better story than it not being based on me. 

Never let the truth come between you and a good story, huh.

I should add that to the end of the list from Werner Herzog and see if anybody notices.

THE DAY THE SUN STAYED IN THE SKY

What better way to start the day than seeing a copy of your book 'on holiday' - in this case, The Day The Sky Fell Down chilling out on the rocks in Lanzarote. Major league thanks to Roy Cole (for it is he) for shipping this in. 

You don't get that with a wedge of plastic whether it has an anti-glare screen and e-ink or not. I love seeing the things that fall out of my head onto paper actually being read and running free in the wild where they belong. Trying to stop a story once it's out there will only give you rope burns. 

•••

Today also brings the day brightening news that Clive Barker is finally set to release The Scarlet Gospels - for some of us, this has been a close on twenty year wait and to be honest, I'd banished all thought of it ever actually appearing to the back of the cupboard. On Barker's site, the release date is given as 19th May which is good enough for me with a limited edition variant also available through Earthling - though if you happen to drift off to that page, the book hasn't got a page redirect yet. It will come. 

I haven't been this excited by a book from somebody else for years. It looks like this:

•••

Talking of things that other people are up to, Foxcatcher and Birdman (two separate films if you haven't been paying attention to the world revolving - it's not a weird superhero movie, though I would pay to see it if it was) both look like they're more than worth getting out for.

Here's the trailer for Foxcatcher:

and here's Birdman: 

As for me... work continues to finish up Raised On Radio, work has begun on Almost Human - which is the next collection of Dirty Realism, I have four more chapters to go before The Family Of Noise is complete (you'd think four chapters would be easy to kill off wouldn't you), and aside from some scrappy bits and pieces lying around vying for my attention, as I was pushing Turn The Lamp Down Low into a shape it wanted to be in, a story that wants to be called Dragonfly turned up in my head. Great. Just when you thought you had a handle on things, something else turns up with legs attached.

Dear Mr Barker: I see now how quickly a good idea for a book can turn into twenty years of trying to figure out where something would like to go.

Dear Readers: I will try my very best not to take that long over it. What you should do while you're waiting is read this neat little feature on Lee Child as some guy from The Independent shadows him as he starts work on his next Jack Reacher novel. It will only take a couple of minutes so maybe you could find something else to do as well, like start a secret project that will help save the world in its own little way...

Le Fin.

Beware of Darkness - In All Its Forms

It seems like a lifetime since I found a new band that I thought was worth a damn - let alone one that I thought the whole world should know about. I guess the world might know already about these guys but they only crawled across my radar this morning - there's every chance that the next time I go out, I'll be met with a hundred t-shirts proclaiming me stupid and slow in hindsight. Beware of Darkness. This is their site - jump onto youtube and you might find some video clips there. This is the album cover for 'Orthodox' and hellfire, it's wonderful for all the right reasons. If you're feeling lazy, you could fire comparisons of Jet hooking up with The Black Angels at them, but that still wouldn't hit the mark:

Why did I not know about this before this morning? Cross at self... but satisfied.

•••

I know I spend far too much time in the bookstore. Maybe I'm soaking it up for when it's no longer there. They have these cards on the counter at the moment: "The book that made me." The idea is that you fill it in (I guess about the book that changed your life) and then drop it in a box never to be seen again.

I thought hard about this. That's a tough call - but the universe has a way of giving you a good shake every now and then. Many times I've gone on record that since the day it came out it was always Clive Barker's Imajica, until around fifteen years later, I picked up Susannah Clarke's Jonathan Strange and Mr Norrell. Both are large. Both suffered the same fate - from the second they were begun, I barely moved or slept until they were finished, though I suspect I smoked a lot and ate far too many packets of crisps.

Weighing them up against each other, I still can't pin it down. I guess it's no big deal really. I hear a rumour (a decent rumour) that Jonathan Strange is about to be become some kind of TV show - and I don't want to watch it. I will, but I don't want to. Imajica on the other hand has largely been forgotten about by the masses - apart from those of us who have read it of course. We will never forget it. Couldn't if we wanted to.

I was kind of leading up to making a decision there wasn't I and it looked like I was headed for Imajica. It sits comfortably. See, if I say Imajica, that's OK. I can live with that. If I say Jonathan Strange, my heart always says "yeah, but what about Imajica?" So I guess I have decided. I don't like it though. Good job nobody is making me choose really.

I was actually leading up to something here - last night, I noticed that Clive Barker had posted some words about Imajica - being as I must have sold about 1000 copies of it over the years simply from talking about it non-stop, I'm going to paste it here with a clear conscience for you to read too. Enjoy it even - if it makes any sense:

I never came closer to giving up like I did with Imajica, never doubted more deeply my skills as a storyteller, was never more lost, never more afraid. But never was I more obsessed. I became so thoroughly immersed in the narrative that for a period of several weeks toward the end of the final draft a kind of benign insanity settled upon me. I woke from dreams of the Dominions only to write about them until I crept back to bed to dream them again. My ordinary life - what little I had - came to seem banal and featureless by contrast with what was happening to me- I should say Gentle, but I mean me- as we made our journey toward revelation. It's no accident that the book was finished as I prepared to leave England for America. By the time I came to write the final pages my house on Wimpole Street had been sold, its contents boxed up and sent to Los Angeles, so that all I had that I took comfort in had gone from around me. It was in some ways a perfect way to finish the novel: like Gentle, I was embarking on another kind of life, and in so doing leaving a country in which I had spent almost forty years. I do not discount the possibility that I will one day return there, of course, but for now, in the smog and sun of Los Angeles, the world seems very remote.

There's something about this paragraph that says I'm not the only one who thinks it's as close to perfect as a novel will ever get. Unlike many of his books, there was never any talk of a sequel and despite rumblings, there's never going to be a movie of it. Not in a million years. It can't be done. I would put an awful lot of money on the fact that not even Peter Jackson and Guillermo del Toro could pull it off properly even working together with a bottomless pit of money.

Then again, Susannah Clarke has played a good game by not even having a website - if you want any information about Jonathan Strange, you're just going to have to read the book - that's all there is.

Still... it's one war that's not worth fighting. Not really. Sooner or later, maybe something will come along and join them.

•••

Talking of great things, I've just started to watch Torchwood: Children of Earth again. Quite easily - and by a long, long way - the best television sic-fi show of all time. Yeah - even better than Doctor Who - apart from the Family of Blood storyline. As a five episode story arc, I've never sat through anything better written or more enjoyable. Seriously... I could watch it over and over for days on end and not get bored of it.

•••

Meanwhile, work continues. Never had something in my head that's wanted to move so fast onto paper and into the real world before. I'm not quite being Barker-esque about it, but I can see how that could happen to a man. If you're hankering for something quick but very cool to read, try this from Doug Crandell. It's really very good...