TROUBADOURS

I went on a shopping mission this morning. I felt the need to lounge around in the swamp with the greats and came away armed with this:

And this:

And this:

And this:

The conclusion that I have come to before opening any of them is that these artists were successful because they went out on a limb and did their own thing. Interestingly perhaps in the big scheme of things, I would say that none of them will ever be in the Top 100 singers of any list, ever (Kate could scrape it maybe) but they should all be in the Top Five of any list that looks at storytelling songwriters. Call it poetry if you like but it’s more than that. It’s full on Troubadourness (I don’t think that’s an actual word but it is now) and I never really noticed that about myself before - that storytellers in music are my ‘thing’. This is a good thing to know about myself as I push forward with the whole Deadbirds project.

(Note: because Troubadour is an ancient word, it is thus the male description of one. A female troubadour is called a Trobairitz.)

Given that my love for him is boundless and such a thing does not exist, I got to thinking that maybe I should put together an authorised (which might take a while) complete lyric book of Alice Cooper’s work. He is one of the best the world has ever seen without question and that talent is absolutely overshadowed by escapades with chickens and guillotines… and he also falls neatly into my ‘not the best singer in the world’ thesis. I’m not saying none of these guys can sing - I’m just talking technically. More to the point, I don’t think any of them ever cared either. The point is to deliver the song and tell the story not to shatter a glass at twenty paces.

Maybe that’s the payoff? It’s sure as hell a payoff I would take every day of the week over somebody fawning over my voice - not that such a thing is ever likely to happen.


Not relevant to any of that, but did you know there was a theory that Scooby Doo is a collective hallucination of The Gang who are all tripping on LSD? I thought I was well versed in pop culture but that’s the first time I’ve ever heard that floated down the river. We can only assume it was a bad batch of CIA infused drugs when somebody threw Scrappy into the arena and spoiled the fun forever.

Just say no, right?

Finally… I’m not really a t-shirt kinda guy anymore but this looks like a valuable addition to a limited wardrobe:

The Comedy And The Tragedy

Sunday. A mega-ton of household jobs seem to have stacked up behind me. I wondered to myself whether Alice Cooper has household jobs stacking up behind him, but probably not because he never seems to be home. Being as he's on the road so relentlessly, maybe he has a housekeeper to take care of all the things that shouldn't really need taking care of because he's never there. 

Anyway, I did them and figured I might just bomb out in the sofa before I go in for Round Two in front of The Typewriter Machine. I got to Channel 78,663 and there was nothing on - though I guess if I had gone back to the start, there would be different shows on to when I first begun. Instead, I decided to revisit something that used to make me happy beyond belief and I dropped on the Laurel and Hardy movie, Swiss Miss. 

So far as I recall, they used to be a lot funnier than this. When the hell did Laurel and Hardy become unfunny? That's like asking when Aerosmith stopped being a giant killer of a band (except I know the answer to that: 1979). What can possibly have happened in the years since I used to roll around until my stomach hurt, that had me sit in front of the TV waiting for the movie to take over my nervous system?

Maybe they did get unfunny. Maybe it just wore off. Maybe comedy got sophisticated to a point that I can no longer go back to a more innocent time.

Or maybe I just got to be miserable - except I'm not. I was really game for it. Pensive, even.

Thats a real sad state of affairs. I'll try a few shorts from them across the week and so how they pan out, and if that doesn't work, I'll hunt down some Harold Lloyd movies and back them up with a couple from Will Hay just to be sure.  

If none of those work either, I'm officially broken. 


I don't tend to admire many writers these days but Karl Ove Knausgård is a huge exception for me. The world has dubbed him a literary sensation over the last few years but you know what... I suspect it could have equally gone the other way for him and he would still have carried on writing whatever he wanted. I not only like his books but I also like the way he puts himself across in interviews - which is just as honest as his novels.

This week there's a neat documentary on iPlayer in which Knausgård interviews/gets interviewed by neurosurgeon, Henry Marsh. If you're feeling cultural, it worth your time for a whole number of reasons.

But then you must go read at least the first ten pages of A Death In The Family. After that, you'll know if you're in the mood for thousands of pages of autobiographical revelation from the man. It's pretty addictive. There's also an extract here at The Vice

Anyway, you have been warned.


Later this same day, this Great Dane came up for adoption. Sigh... what to do?

Not sure somebody else would be very impressed with a new house-mate though...


Finally today - this probably sums up more than any of us writers would care to admit and did make me laugh.

Check Grant Snider out on twitter @grantdraws