CARNAGE

Sometime yesterday while I was trying to get some of my fiction finished up, I came to the realisation that I could do much better than I had been. This led to me making a 'sweeping statement' as my friend Rowan likes to put it and I collected all reference to them and filed them away in the trash. So if you're maybe wondering what happened to those items, they have gone to a much better place. The stories however remain, they're getting revamped that's all - better characters, better stories but all wrapped up in one single direction with a far superior premise. Does it take everybody a really long time to get their thoughts in order? I don't know when it will be ready to roll again but the same rules will apply - a complete novel delivered as a serial. Right now, that's about all I know but behind the scenes, the work continues - and you know what? I'm much happier with the whole affair like this. It kind of makes a lot more sense and has taken a ton of pressure off.

Meantime, my new vinyl habit has spiralled right out of control in a very short space of time. I haven't bought this much music in what must be twenty years. In the short few days since I've had this Amstrad deck (or Ugly Betty as she has come to be known), I've made good start on a decent collection (or at least what I would term a decent collection anyway). Right now, it looks like this:

The Waterboys first three albums: The Waterboys: A Pagan Place and This Is The Sea, Mick Ronson's Slaughter on 10th Avenue, and Ian Hunter's debut along with his Short Back And Sides, Overnight Angels and All The Good Ones Are Taken. Sometime in the mail today, a cool copy of the Zodiac Mindwarp and the Love Reaction e.p. High Priest of Love should arrive. I'm going to stop there and kick back for a few weeks and actually enjoy the spoils of war. I will say this though - listening to vinyl is a massively different experience to both CD and any digital format.

Mr Smith has been vaccinated with a phonograph needle for the second time in his life - and all this vinyl has had a massive impact on me.

I have come to realise that I don't much like digital books either. I don't hate them but I adore reading and I love books. The e-reading experience is not doing it for me. I have tried and it is - frankly - an empty experience. This isn't my last word on the subject because it's quite complex. I think there is much value in e-books. At the moment, my main thoughts are that e-books are great for trying out a new author at low to no cost (if that sort of thing bothers you), firing out samples, when you want to take a huge stack of books on holiday or even to load up on textbooks that would otherwise soak up ... the list is endless really.

But it's not a book is it. Statement not question.

It's a novelty and it wears off.

Over the last few days and notably before this decision hit me, I have bought at least half a dozen books. A copy of Stephen Davis' LZ-'75 (The Lost Chronicles of Led Zeppelin's 1975 American Tour), Denise Mina's The Dead Hour, The Book of English Magic and some others that I forget now and can't remember where I've put them either, but the point is these were all chance pick-ups, not from regular bookstores either. Of the three named, I've finished two and am about to start on The Dead Hour. These are not the reading habits of somebody with a kindle.

These are the reading habits of somebody that loves to read books. But like I said, it's complicated because comics are turning out to be tailor made for the ipad. Apart from work, I have also moved all of my magazine reading to the ipad as well.

Who knows how this will all pan out. Maybe it's all too hard-wired into my psyche. It's all pretty inconsequential really but on the record right here, right now. I love listening to great old vinyl albums and I love well put together books.

Recently reviewed at The Void: The Woman In Black and Van Halen's A Different Kind of Truth

 

ZIP GUN BOOGIE... AND TIME WASTING IN THE WINGS...

Now we're rolling! I now see what all the fuss is about when people buy an old car and strip it down and rebuild it again. This old Amstrad was in really good condition when it arrived, but I still felt the need to take it apart and give it an MOT. Door off, wheels off, lid off, turntable off, stylus in the trash. WD40 everywhere. Tape head's attacked with cotton buds - the list is probably longer but the rest isn't very interesting. So this morning, the new stylus arrived. Just the one for now, but it is the right one so I'll likely order more. If anybody else is in the stylus market, the guys at Get The Needle have just about everything you could want, and it came as fast as you like too.

All I'm missing now is some vinyl and hopefully the copy of The Waterboys' This Is The Sea will be here in the morning. (Not quite The Waterboys album I had in mind to kick start the show with, but a fantastic work of art all the same. The album got a little overshadowed by the success of Whole of the Moon, but there are far, far better songs than that on board. In fact, in the list of perfect albums, it probably sits just behind Sign of the Times).

All that remains then is to figure out if the deck needs any kind of turntable mat and we'll be spitting thunder.

A few have wondered why I didn't buy a decent/new record deck, but that would hardly recreate the experience of the first tentative steps into what it's like to fall in love again. It's not a midlife crisis... I've had that already. I just wanted to see if music and me could still get along like we used to. I have to say, it doesn't look as totally out of place as I thought it might in the corner either... kind of like it's always been there.

Which was the point.

It was nearly a great end to the day when one of Universal's outsourced PR companies sent out a press release offering review opportunities for the celebratory T.Rex vinyl box set that's coming in April. I jumped on them - only to find that I would have to review said special release vinyl box set by - get  this - downloading the tracks.

Sorry? I thought I had misheard, but apparently not. So er... you can have your review by imagining what it might look like if you wish guys. See how you like not finding the end product quite as you thought.

If on the other hand, you might see your way to shipping out the product to a (we can all agree on this) deserving reviewer who knows what he's talking about when it comes to Bolan, who has been in the T.Rex corner longer than the PR guy who tried to pimp it to me has been on the planet, I'll be only too pleased to run a review online and on paper to over 100,000 readers in my mag.

Marc would have punched you in the mouth.

Do you really wonder why the music industry is screwed and none of you will have any jobs in five years?