The World All At Once (1)

I figured that I had better get my act together and start writing some long pieces for my blog here and spent some time last night racking the grey matter as to how to do it properly. The World All At Once will, more or less, crush my week of pop-culture consumption into a slick view on the week that just went by. I'll aim for Saturday or Sunday for posting it, but let's see how it settles in... Yesterday, I got the word that Black Dye, White Noise and The Language of Thieves and Vagabonds had both been release on itunes/ibooks and at Barnes & Noble for the nook. Thus began an afternoon of downloading and checking - and as a bi-product of this cocking about, came across a couple of really good books for ibooks (and probably the kindle too but I couldn't be bothered looking). They're both by the same person, both self-published and both really freaking good. Honest. Take it from somebody who throws books out of the car window if they suck before the end of the second chapter.

The author in question is Saffina Desforges - the books are called Snow White and Sugar & Spice - and if I'm not very much mistaken, she lives somewhere not so far away from me either. I thought I might get in touch, but then I read her blog and was put off by the fact that she seems angry and self-righteous about everything. All the time. Been there, done that and it will come and bite you on the ass no matter how good your book is. Then again, like one of my old bosses said to me: 'you're not here to be liked - you're here to get the job done.' Maybe I'll just read her books and leave it at that - though it's worth pointing you also to a page on her site where she details nefarious tactics by agents who really should know better.

Nice cover for Snow White - I really like both that and the forthcoming Rapunzel.

There's some other interesting books on there too that look like they might be worth the time of day - one thing at a time though. I already have a stack of books that I'm not getting through very quickly at all. That means Skin Deep is being shipped to print in the middle of the week so there's not going to be much going on except burying my head in that - on which subject, I interviewed Jovanka Vuckovic last night. What a fantastic lady - one I am now pleased to call a friend. We have much in common. More on that some other time. I might publish the full interview here later in the month as we spoke of many, many things - not all of it relevant to the mag.

Not strictly something from this week, but rather from last month. I picked up a copy of Vanity Fair magazine a few weeks back. I always thought it was a 'mag for women' but as it turns out - if you can see past the top-end advertising and the lure of celebrity for its own sake - it's a great read. The writing is top-notch and the variety of material in there is quite inspiring. Their ipad app is beautiful as well - better than the print copy I think. It didn't take long to win me over on it either, so we'll drop that name in the 'win' column for the foreseeable future. Nice work.

The new Marilyn Manson album is kind of strange. I wanted to love it like I loved Antichrist Superstar and Mechanical Animals. Love it for all of its wanton destruction and no small amount of effort put into the minutiae of the project. What I got however was an album of songs that sound like Marilyn Manson might sound when everything had got a little grey around the edges. An album he might make when he knows he's on the rocks. Maybe one in which the headlines are slipping away but he needs to put a product out all the same so that it doesn't appear to be too long between albums when you look in the history books.

He can do better than this. You know what he should have done? He should have sat on a beach for a couple of weeks (or perhaps a dank cave - either will do) and fleshed himself out a plan like Amanda Palmer did. A plan that would redefine Manson to the world forever. If anybody could have pulled this off, he could. I don't know anymore. Maybe it's just too much work once you don't have to worry if there will be breakfast on the table tomorrow. There's a lot to be said for staying hungry.

Thus, disappointed with the thing that should have been a supernova this week, I reverted to type and dug into itunes to find something of value, only the truth is that I couldn't be bothered looking that hard, so I let it ramble on shuffle like I do most days - then I remembered that earlier in the week, I'd found a nugget of vinyl on ebay that I'd bought but not paid for - which would explain why it hadn't arrived yet. I must have been through at least half a dozen copies of In The Dynamite Jet Saloon (Dogs D'Amour) over the years - this should be the last time I ever buy it again. It's getting hard to find great vinyl on ebay - everybody thinks their shit is worth a lot more than it is - or at least to somebody who wants to listen to it rather than collect the damn stuff. There's a record fair on next Saturday so we'll see what gives out there. The last one I went to, I picked up about seven albums for under £20, which is really how it should be...

Published and Damned.

What a crazy week. This past weekend we hosted the Great British Tattoo Show at the Kensington Olympia where lots of people got tattooed (self included), lots of people got their photo taken with other people and a good time was had by all. There'll be a ton of material kicking about from that over the next few days - we're just collecting all the photo shoots together, but some bright spark forgot we were moving offices this week as well, so that kind of threw a bit of a spanner in the works. File under pending for a little while longer. The good news on that front was that earlier this week I had the opportunity to get on top of some of my own things. I took delivery of a big stack of limited edition hardback and softcover editions of Black Dye, White Noise which look brilliant. I'm pretty damn pleased with that all round - so much so that I even stayed up all of Tuesday night figuring out how to format correctly load up for the kindle, ibooks and Barnes & Noble. The kindle version went live this morning - the other two will apparently take a little longer. How much longer I'm not sure but I've heard it can be a few weeks. Once I know, I'll rustle up a post because it's pretty stupid for one route to take about 10 hours and the other to take hundreds of hours.

That leaves me free to get on with Raised On Radio next and figure out what the rest of the year has in store. I'm also working on two freaking huge monster book projects. If I can pull it off, they will be quite something to have in the arsenal. One of them has a publisher attached already, the other is a personal project that's going to take some real hard work to pull together but it will be more than worth it.

Sometimes I think that sleeping might be a good idea but that never got anybody anywhere in the twenty first century.

Anyway, while I was running up e-reader docs for Black Dye, I remembered that the red-headed step-child that is The Language of Thieves & Vagabonds had never really been pushed, so I did that too. Here's the link for it on the kindle - same thing applies for ibooks and the nook as above. I'll let you know. If anybody out there is clued in the ebook front, perhaps you could drop me a line over whether it's even worth bothering with the kobo thing?

I've said my piece on smashwords already. Using that as a shop front for your material is a joke. It might be easy and it might be free, but taking something I've worked my ass off on for months on end and handing it over to a store that's happy looking like a junk shop is not for me.

Oddly, I've just realised that nobody on the face of the planet is talking about the Sony Reader anymore. I think we need to consider that product dead and buried.